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TubeTrap

Corner Loaded Bass Trap Voiced with a Treble Range Diffusor Panel for Top Shelf Acoustic Conditioning


Tube Trap
$515 – $826
  • Freestanding, corner loaded bass trap
  • Full bandwidth absorption to 40Hz or below
  • Adjustable midrange diffusion above 400Hz
  • Sturdy exoskeleton construction for strength
  • Threaded inserts for stacking and hanging
  • Fiber-free construction, multiple sizes and colors
  • Locate in corners for best results
  • Also available in Half-Round or Quarter-Round Traps
  • Height: 4 ft.
  • Diameter: 9 in.
  • Custom sizes available
TUBETRAP
Price: $515 – $826
Optional Sizes:
4 ft. x 9 in. – $515
4 ft. x 11 in. – $550
4 ft. x 13 in. – $651
4 ft. x 16 in. – $826
Optional Colors:
Black  Black
Grey Mix  Grey Mix
Medium Grey  Medium Grey
Quartz  Quartz
Silver Papier  Silver Papier
Tube Trap Color Options   Tube Trap Specs   Tube Trap Placement Setup


TubeTrapsThe TubeTrap is a corner loaded bass trap and voiced with a treble range diffusor panel and is included on Stereophile's 500 Recommended Components List for 2007. The TubeTrap is known as a ‘pressure zone bass trap’ and is perfect for the studio environment due to its unique acoustic properties. Ideal for mixing rooms, control rooms, live rooms and foley rooms.

Acoustic energy is rearranged when sound waves impact a wall or corner. This transformes kinetic energy into potential energy (sound pressure) resulting in loud bass against the walls and corners. TubeTraps convert high pressure fluctuations into air movement within the dense walls of the Trap. Sound energy is damped out of the wave through regulated friction in the walls of the TubeTrap. In other words, the TubeTraps soak up low-to-high bass standing-wave resonances like sponges.

The TubeTrap is a basic acoustic component in high performance sound systems. Available in a wide range of sizes, shapes and colors. Extreme placement flexibility encourages experimenting in acoustics and has resulted in many unique innovations. The TubeTrap is patented, lab tested and proudly made in the USA.

Fractional TubeTraps are also available.

Additional applications include Attack Wall and Quick Sound Field.


Color Options

Stock Colors (actual colors may vary)
Silver Papier
538 Silver Papier
Black
408 Black
Quartz
380 Quartz
Grey Mix
238 Grey Mix
Medium Grey
298 Medium Grey
Special In-Stock Colors and Special Order Colors are also available.


TubeTrap Specifications

Basic Construction
Basic Construction
Standard 4 ft. TubeTrap
Diameter Options 9, 11, 13, 16 and 20 in.
Trap Height 4 ft. (actual (47 1/2 in.)
Weight in Lbs. 18, 18, 26, 32 and 38
Full Bandwidth
Absorption
(Rolloff Frequency)
  9 in. (110Hz)
11 in. (90Hz)
13 in. (70Hz)
16 in. (55Hz)
9 in. (110Hz)
20 in. (30Hz)
Adjustable Mid-Range
Diffusion
(Crossover Frequency)
Above 400 Hz
Stackable Yes
Fire Rating Class 1 fire rated ASTM E-84
Colors Guilford 701
Warranty 1 year parts and labor
Fully Adjustable Reflectivity
Fully Adjustable Reflectivity

Full Round Absorption Coefficients
Full Round Absorption Coefficients
Corner Loaded Bass Trap
Corner Loaded Bass Traps
Response Curves
Response Curves


TubeTrap Placement & Setup

Tri Corner Loaded Bass Trap The tri-corner of a room transforms and compresses all of the acoustic energy in a sound wave into pure pressure fluctuations. TubeTraps are designed to take full advantage of the acoustic pressure zones created in the corners of a room. The patented design of the TubeTrap converts these pressure changes into air movement, and, through the regulated friction in the walls of the TubeTrap, energy is damped out of the sound wave.

Simply put, placing TubeTraps in your tri-corners will maximize the benefits of bass trapping due to the accumulation of acoustic pressure in these zones. Bass trapping the corners behind the main speakers will stabilize reverb buildup in the front of the room and add shock control for attack transients. This will remove room boom and clarify tonality and soundstage.

Basic Setup

Place TubeTraps in the front corners (behind the speakers) of the room. First, orient the reflector to point towards the listening position to maintain room ambience. Rotate the TubeTraps to find the prefered personal listening arrangement.
Basic Setup

Add two additional TubeTraps to the back corners to smooth out peaks and valleys of major room modes. Orient reflectors toward the listener.
Advanced Setup

Add additional side wall TubeTraps halfway between speakers and the listening position to block early side wall reflections and enhance imaging. Orient the reflectors toward the back.


Boundary Reflections
Boundary ReflectionsWhen a woofer is located near a wall, its freefield frequency response becomes distorted. The nearby reflection drives a pressure wave back over the speaker cone. Walls, floor and corner reflections produce 5 to 20ms delay signals that mix with the direct signal at the driver to induce comb filtering effects into the bass range of the speaker and as well, side lobe beaming patterns.

A TubeTrap located at each of these reflection points will reduce the strength of the reflection. This reduces the comb filtering and side-lobing effects in the bass range. But not all wall reflections are bad. Speakers located near walls deliver better deep bass. Our boundary conditioning Traps are bandwidth limited to allow them to defeat comb filtering and beaming effects but not at the expense of wall loading in the deep bass range. Diffusive strips in the Traps are oriented behind the speakers to better develop the ambience.

Bass Loading
Bass LoadingTubeTraps can also be used in the open, close coupled to speakers in order to improve their performance. By stacking Tube Traps to expand the effective size of the speaker baffle board, the effect of increased bass directivity and efficiency is achieved. This works with sealed, front ported or dipole speakers, flown or stage mains, hi-fi, studio monitors, portable PA and nightclub systems.

In addition, the TubeTraps can be stacked in a forward stepped array that casts an acoustic shadow to the side of the speakers. Note that the Traps nearest the monitor should be set slightly behind the front face. The diffusive strips of the Tube Traps are oriented away from the front of the speaker for color-free horn loading. This shadowing technique protects on-stage mics from feedback, small room listening from side wall reflections and halls from excessive reverberation.